Saturday, February 9, 2008

Play Jazz Now

By Andy Ng Getting that jazz sound can be a complex process. It is impossible to say who have the greatest jazz tone and sound as we are all different and are subjective in our listening. What I’m about to share with you acts as a general guide in the area of getting that jazz tone and should be improvise upon should you feel like it.



The Guitar


For an authentic jazz tone, you should have a semi-acoustic hollow body electric guitar. The Gibson ES-175 or the Gretch Tennessean can run into thousands of dollars but there are also excellent entry models such as Ibanez Artcore line of guitars. Guitars by Yamaha or Guild also make great entry level semi-acoustics. Epiphone, owned by Gibson are designed for the aspiring musician to own a Gibson but lack the budget to do so. What you get is a fantastic sounding guitar made by Gibson but at a much much lower price. Look for a guitar which provides a clean tone with plenty of sustain.




Jazz guitar players often plays with a rich mellow tone that is suitable for the style. Roll off the treble on your guitar’s controls to achieve that.



A Jazz Guitar Amplifier


The playing style and sound that you wish to attain will determine the amp you need. Very often, traditional jazz guitar players uses solid state amps that can produce a clean sound which compliment acoustic arch-top guitars. For others seeking a more distorted sound, a tube amp might be just what you are looking for. Many jazz guitarists use a Fender Pro or a Polytone. On board effects maybe another requirement you are looking for.
This can range from a overdrive channel to a reverb channel.


Effect Pedals


A hint of reverb is all you need if you are one who does not want to meddle with effects. However, many modern jazz guitar players today includes an arsenal of effect pedals in their effects chain ranging from chorus, overdrive, distortion and even wah-wah pedal. A word of advice. When using effects, ensure they compliment your playing style and that you retain that “clarity” in your tone. Many guitar players often make the mistake of cluttering their guitar tone with too many effects which results in a poor quality muddy sound.




In summary, listen, listen, listen. Listen to recordings by all the jazz guitarists. Listen closely to their sounds and try to emulate them. When done enough, you’ll be able to find that unique tone in your guitar sound which you have crafted. Congratulations! You have found your very own signature sound!



Andy Ng is a self taught guitar enthusiast. He have played guitar for the last 5 yrs and still going strong! He is also a leading expert on the art of building homemade effect pedals. Pick up tips, techniques and just plain guitar talk at his blog!
http://www.guitareffectssecrets.andy-ng.com


Article Source: http://EzineArticles.com/?expert=Andy_Ng

Common Jazz Chord Progressions Revealed

By D SwainJazz is one of the most popular forms of music that has roots originating from blues music. If you want to learn to play jazz, then it's a good idea to learn basic jazz chord progressions. There are many progressions used in jazz music. This article will share with you some of the most common jazz chord progressions.




ii-V-I

One of the most widely used jazz chord progressions is the ii-V-I progression. Most chords in jazz music are seventh chords, so each chord in this progression will be a seventh. In the key of C, the chords would be Dm7, G7, and Cmaj7. If you don't know how to play seventh chords, you need to learn them as soon as possible. The notes of Dm7 are D, F, A and C. The notes of G7 are G, B, D, and F. The notes of Cmaj7 are C, E, G and B.





V-ii-I

Another one of the common jazz chord progressions is the V-ii-I. Once again the chords will be seventh chords, but this time they will be in the key of F. The chords played that make up this progression are Cmaj7, Gm7, and Fmaj7. As stated above, the notes of Cmaj7 are C, E, G and B. The notes of Gm7 are G, Bb, D, and F. Finally, the notes of Fmaj7 are F, A, C, and E.





I-vi-ii-V

One of the more advanced jazz chord progressions is the I-vi-ii-V progression. This time let's play the progression in the key of G. The chords for this progression will be Gmaj7, Cm7, Am7, and D7. The notes of Gmaj7 are G, B, D, and F#. The notes of Cm7 are C, Eb, G, and Bb. The notes of Am7 are A, C, E, and G. Finally, the notes of D7 are D, F#, A, and C.




Learning to play jazz is not very difficult. After you learn a variety of jazz chord progressions, you will have a solid foundation to build upon. All you have to learn next is how to harmonize the chords and you're well on your way to playing great jazz music.




Learning to play the piano like a pro is not difficult. Stop by http://www.supreme-piano.com today to get six piano lessons for free.



Article Source: http://EzineArticles.com/?expert=D_Swain